Due to very forseen delays in being able to both listen to new music and write about it, this is the rather delayed ratings from 29th March. It’s a shorter list than normal as I’m trying to do two weeks at once.
Playlist at the bottom.
Lower Slaughter – Some Things Take Work
Album 0f the week. Heavy, raucous, clever. A right rollocking riff-tastic grind and a worthy successor to their brilliant debut ‘What Big Eyes’.
The Underground Youth – Montage Images Of Lust & Fear
Elements of the Velvet Underground in this and the Berlin/Manchester post-punk band have some distinct resemblence to fellow Germans Die Nerven, who featured highly on my albums of the year list for 2018 with Fake. This doesn’t quite reaching the heights of that album but definitely worth a listen for fans of Bauhaus, Nick Cave and Joy Division.
Not sure if I’m in a mood this week but didn’t unearth a huge amount of releases of interest this week, but the new one by These New Puritans looks promising. There’s a debut album from Crows, who are supporting the fabulous IDLES on tour this spring and a live album from the genius Gospel/Death Metal crossover that is Zeal & Ardor. 90s indie-rock stalwartsSleeper also return with their first new album in 21 years.
A varied bag during June with some new artists, some bringing back styles of days gone by and the reemergence of some old stalwarts.
First to Mike Shinoda. The Linkin Park rapper has put on tape what is essentially his grieving process following the suicide of former bandmate Chester Bennington. It’s raw to listen to at times but the emotion gives it a real depth that is often missing in this genre.
Floex and Tom Hodge‘s mix of orchestral beauty and electronica would be the top album of fused styles this month, if it wasn’t for the release of the third album from my favourite gospel/death metal crossover act Zeal & Ardor. Stranger Fruit perhaps doesn’t reach the heights of it’s predecessor but is still a mighty impressive set of songs.
Here Lies Man’s second album once again revives the afrobeat-meets-Black-Sabbath vibe to great effect while Sink Ya Teeth draw heavily on 80’s synth-pop on their debut album.
My top album of the month though is one of my perennial favourites. The Orb was the act that got me into electronic music in the first place. Alex Patterson has, in the past, tended to drift into meandering prog-style twiddling interspersed with dub-electronica. Fortunately No Sounds Are Out Of Bounds is a tight collection of house-dub that would be at home in a club – or at least during the late night opening of a micro-brewery.