The fourth album from noise rockers USA Nails is only 25 minutes long, but during that time they manage to pack in a hell of a lot of riotous bass and crashing guitars. While hugely enjoyable, I got the feeling that the album was kept deliberately short in order to preserve our hearing and mental health.
From the off with Creative Industries we are presented with a bass line that demands your attention and all-consuming, wildly distorted guitars that just don’t quit until the very end. It’s quite an oppressive, head-pounding experience, and probably not one for those who are looking for a gentler introduction to the world of post-punk.
Singer Steven Hodson also does a sterling job shouting his way through the album, but you get the feeling he is just trying to make himself heard over everything else that’s going on.
At points when listening to this I did catch myself thinking, ‘Wow! This is intense’ and there isn’t much, if any, let up in that intensity. There are times, such as on standout track Work Drinks when the guitars take a slightly lighter touch and the approach of the bass is different – that’s as close to a moment of respite as you get. Similarly, title track Life Cinema, with its mantra of ‘Tune in and turn off’, offers a bit more structure that gives you something to grab on to.
By the close of the album, which finishes with a humorous 8-bit take on Life Cinema, you are left exhausted and elated, but also slightly relieved.
Due to very forseen delays in being able to both listen to new music and write about it, this is the rather delayed ratings from 29th March. It’s a shorter list than normal as I’m trying to do two weeks at once.
Playlist at the bottom.
Lower Slaughter – Some Things Take Work
Album 0f the week. Heavy, raucous, clever. A right rollocking riff-tastic grind and a worthy successor to their brilliant debut ‘What Big Eyes’.
The Underground Youth – Montage Images Of Lust & Fear
Elements of the Velvet Underground in this and the Berlin/Manchester post-punk band have some distinct resemblence to fellow Germans Die Nerven, who featured highly on my albums of the year list for 2018 with Fake. This doesn’t quite reaching the heights of that album but definitely worth a listen for fans of Bauhaus, Nick Cave and Joy Division.
Not sure if I’m in a mood this week but didn’t unearth a huge amount of releases of interest this week, but the new one by These New Puritans looks promising. There’s a debut album from Crows, who are supporting the fabulous IDLES on tour this spring and a live album from the genius Gospel/Death Metal crossover that is Zeal & Ardor. 90s indie-rock stalwartsSleeper also return with their first new album in 21 years.