Fair warning, I am about to use the phrase ‘Space Jazz’. I implore you to look beyond that or risk missing out on a quite brilliant album…
Space Jazz trio The Comet Is Coming have been quite a revelation for me. I first had my ears opened to a bit of jazz last year by, among others, the brilliant Sons of Kemet. Perhaps it’s no surprise that one of the main reasons why Trust In The Lifeforce Of The Deep Mystery is so darn good is the sax and clarinet of Sons of Kemet’s Shabaka Hutchings that features on this album. But it also manages to add some impressive and heavy bass synth work to the mix, adding in some real dance floor credentials.
The album starts off realtively sedate, giving little indication of what’s to come. Because The End Is Really The Beginning is an atmospheric, almost proggy, start to the album with little in the way of beats. It’s a real scene setter that then leads into Birth of Creation, which introduces some nice meaty, throbbing, synths to the clarinet work. You start to get the feeling that the album is beginning to lead you somewhere and building up to something more special.
Which is precisely what we get with Summon The Fire. There’s a pounding synth, great drum work, Hutchings’s saxophone gets its first proper workout – Sons of Kemet-style – and there’s a few nice background effects going on too. This is proper jazz music for the dance floor.
Things then get deeper with Blood Of The Past, with a fantastic mid-tempo hypnotic bass synth line that becomes a proper head-nodder. There’s even a slight mid-eastern feel to the sax work, but what makes this the standout track is the inclusion of spoke word maestro Kate Tempest from the midway point. Even if the word ‘jazz’ sends shivers down your spine, give this track a whirl.
Super Zodiac sees more breathless sax work from Hutchins. Bar the dreamy synths, this could easily be a Sons of Kemet track, but the inclusion of them adds a bonus layer.
The album then starts to ease off the pedal slightly. Astral Flying‘s slower pace allows both the synth and sax some breathing space, while Timewave Zero is more typical space jazz (if there is such a thing) but moves towards a more house-y feel by the end.
Unity offers us some laid back tribal drum rhythms, while closer The Universe Wakes Up provides a low-key atmospheric ending to the album, with just a hint of random jazz wig out (the bit that usually really annoys me).
I’m still not yet a jazz enthusiast, most of it still seems like pompous musical masturbation to my mind, but I can certainly get down with this kind of groove.
Beware the comet, for it most certainly is coming.
Release date: 15 March 2019
Standout track: Blood Of The Past
For fans of:
- Sons of Kemet
- Theon Cross
- Kate Tempest
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