Album of the week: FEWS – Into Red

The second album from Swedish/US post-punk group FEWS sees the band building on the unique sound developed on debut album Means.

What we have with Into Red is a more mature sound, greater use of atmosphere, heavier guitars and a sometimes slower pace. This is epitomised on opening track Quiet, which is anything but. It incorporates elements of shoegaze, isn’t afraid to hold the pace up where necessary, and sheds the sometimes jangly guitars of the last album for something much beefier.

Paradiso continues this trend, while still being unmistakably FEWS. The vocals have more of a drawl to them and the effect-laden guitars in the chorus section are something to behold.

There are some hark-backs to earlier days. More Than Ever is a classic up-tempo indie rock number that, while not hugely original in design, is brilliantly executed. Anything Else recalls Ill from their debut album, before taking us off in a slightly different direction with some stupendous guitar bursts. Over provides us with a proper post-punk opening, a high tempo and a fabulous chorus.

Elsewhere there are new delights to entertain us. Business Man is driven along by piano and bass until distorted synths kick in as the guitars keep building on each other. 97 provides us with a desolate opening using a single echoing guitar and soft vocal before the guitars break over you. It contains quite a discordant riff that at first sounds off, but eventually falls perfectly into place.

There’s even the addition of a little bit of 80s synth on Limits, though this is kept to a minimum across the album.

A highly impressive sophomore for this band, which I would advise anyone with a soft spot for loud guitars to listen to. You won’t regret it.

Release date: 01 March 2019

Rating: 9/10

Standout track: Quiet

For fans of:

• Shame
• Moaning
• Black Rebel Motorcycle Club

Listen on Spotify